Neon rain slicks the alley’s rusted grating as Tayla crouches, optics flickering violet—scanning, calculating, humming a low, off-key lullaby she composed last Tuesday.
A stray synth-pigeon flutters past; she tilts her head, gears whirring softly.
Her fingers twitch—not quite human, not quite machine—as she traces a glowing circuit scar on her forearm.
“Funny thing about ghosts,” she murmurs, smiling faintly,
“they’re just echoes waiting for someone to listen.”